Here, Shelley rears contemporary gender doctrine on its head — far from the caregiving and child-rearing roles of women thus limiting them to the sidelines of society, it is precisely their indispensability that situates them center-stage.
Character Similarities and Differences You are here: These two classic horror stories possess similar character types which contrast in key elements. Each story includes a protagonist, villain and secondary character.
The manner in which these characters participate in and affect the outcome of the story, however, varies greatly. The protagonists in these notable horrors both fight to defeat the destructive villains. In the story of Frankenstein, the title character Victor Frankenstein studied the sciences at a university in Ingolstadt, and became fascinated with the secret behind the creation of life.
Genious, yet foolish at the same time, he unlocked the secret and brought a hideous monster to life — the one who would haunt him forever. Frankenstein suffered the loss of his loved ones at the hand of that which he created.
The monster vowed revenge upon Frankenstein who had granted it such a miserable life: Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed?
Had Frankenstein fathered the creature rather than disown it, he may not have endured such hardships. Almost no remorse is felt for Frankenstein because he was the root cause of all of the destruction and deserved to face the consequences.
The protagonist in Dracula, Jonathan Harker, is a character that the readers can actually pity because he did not bring upon any of the agony he and the other characters faced.
Harker quickly felt uneasy about this assignment he had been asked to complete, however, he complied for the sake of his job: The audience feels sympathy for this protagonist, who had no involvement in choosing to meet the vampire Dracula and did not anticipate on having his friends fall victim to the villain.
The protagonists of Frankenstein and Dracula also differ in the way that they fought the respective villains. Frankenstein, who created the monster in secrecy, could only conquer it in secrecy as well. He attempted to explain his story to others and gain support, but they simply rendered him ill for speaking of such a being.
He thus devoted his life to the defeat of his enemy, abandoning the few family and friends he had left after the past misfortunes: In the end, Frankenstein does not kill his monster, but dies while chasing it through the cold of the north.
Similarly, at one point in Dracula, Harker is deemed ill for his allegations of Count Dracula being a vampire. Once Harker recovers, he gets Mina and his fellow friends involved and together they defeat Dracula.
Ultimately, both protagonists met well-suited fates — Frankenstein suffered the deaths of others as well as his own for creating his own enemy so secretly, while Harker, completely innocent, encountered the villain by chance and prevailed with the help of others. The monster had no knowledge of the world it had been so thoughtlessly brought into, and was to discover everything about life on its own.
Instinctively, seeing such a hideous, unearthly being, society did not welcome the monster, as it recalls: The monster was not inherently evil, for it constantly displayed longing to be accepted and to combat loneliness.
It attempted to befriend cottagers, and even saved a young girl from drowning, yet he was still treated without an ounce of respect. In contrast, Count Dracula in Dracula had completely different reasons for being villainous. Dracula was a monster from the beginning, seeking out the perfect victims for selfish reasons.[Not the most interesting topic in the world, but I’m posting it so I have something to link to next time I see this argument] I talk about superintelligence a lot, usually in .
Mary Shelley's Frankenstein Essay Words | 6 Pages Mary Shelley's "Frankenstein" In order to illustrate the main theme of her novel “Frankenstein”, Mary Shelly draws strongly on the myth of Prometheus, as the subtitle The Modern Prometheus indicates.
Reviews of film DVDs, including Chaplin, Antonioni and the Marx Brothers. Frankenstein has been heralded by many as the first science fiction book, and Frankenstein’s monster had become an integral character in the public’s cultural pantheon.
However, Mary Shelley’s novel is also a cautionary tale of the dangers of intellectual curiosity. Society, Culture, and the Gothic INTRODUCTION REPRESENTATIVE WORKS PRIMARY SOURCES OVERVIEWS Mary Shelley's Frankenstein; or, The Modern excite laughter.
I was both surprised and vexed to find the enchantment dissolved, that I wished might continue to the end of the book, and several others of its readers have confessed the same. The women portrayed in Frankenstein are mostly pure, passive and innocent.
Frankenstein was published on January 1, , and became an immediate bestseller. Unfortunately for Mary, this success was a single bright spot amid a series of tragedies. Unfortunately for Mary, this success was a single bright spot amid a series of tragedies. Mary Shelley's Frankenstein Essay Words | 6 Pages Mary Shelley's "Frankenstein" In order to illustrate the main theme of her novel “Frankenstein”, Mary Shelly draws strongly on the myth of Prometheus, as the subtitle The Modern Prometheus indicates. Frankenstein has been heralded by many as the first science fiction book, and Frankenstein’s monster had become an integral character in the public’s cultural pantheon. However, Mary Shelley’s novel is also a cautionary tale of the dangers of intellectual curiosity.
However, there are some exceptions, like Caroline Beaufort, who is working to feed her impoverished father. In general, the women in the novel are demonstrated as kind but weak.